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As Seen 2011发光体1号(英文版)

As Seen 2011发光体1号(英文版)

1星价 ¥82.5 (5.5折)
2星价¥82.5 定价¥150.0
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  • ISBN:9787510047190
  • 装帧:一般胶版纸
  • 册数:暂无
  • 重量:暂无
  • 开本:16开
  • 页数:235
  • 出版时间:2012-07-01
  • 条形码:9787510047190 ; 978-7-5100-4719-0

本书特色

艺术评论家、策展人凯伦·史密斯是一位在北京工作的英国艺术史学家,主要研究改革开放以后的中国当代艺术。这本《发光体1号:亲历中国当代艺术现场》(世界图书出版公司出版)是她对2011年在中国展出的一批高水准艺术作品的介绍结集。凯伦·史密斯认为,她在书中介绍的这批高水准艺术作品,即便不都具有划时代意义,却都是非常优秀的作品,“它真正关注的是艺术。即使他们明天就逝去,这些中国艺术家创作的划时代的作品也将会被铭记”。

内容简介

     艺术评论家、策展人凯伦·史密斯是一位在北京工作的英国艺术史学家,主要研究改革开放以后的中国当代艺术。这本《发光体1号:亲历中国当代艺术现场》(世界图书出版公司出版)是她对2011年在中国展出的一批高水准艺术作品的介绍结集。凯伦·史密斯认为,她在书中介绍的这批高水准艺术作品,即便不都具有划时代意义,却都是非常优秀的作品,“它真正关注的是艺术。即使他们明天就逝去,这些中国艺术家创作的划时代的作品也将会被铭记”。

目录

as seen 2011 | foreword jin shan | one man's island duan jianyu | the seduction of village liang yuanwei | picture of early spring chen chieh-jen | empire's borde liu wei | "liu wei" pan honggang & hu youchen | them or us? zhou yilun | ah! huang kui | my projection is focusing liu chuang | untitled (the festival) ma qiusha | twilight... / all my sharpness... wang jianwei | making do with fakes he xiangyu | man on the chai shi qing | plant republic zhang enli | wires madein company | physique and action of cociousness sun yanchu | obsessed zhao yao | i am your night zhang peili | certain pleasures he an | i am curious yellow, i am curious blue zhao gang | a sick man zhuang hui & dan'er | chinese silk wang wei | propaganda pavilion aniwar mamat | wind without rain liu wei | merely a mistake museum of unknown | pattern sun xun \ tang maohong \ zhang ding | huge character gao lei | the principle zhao zhao | according to zhao zhao lu yang | the anatomy of rage xiao yu | go wu shanzhuan \ inga svala thorsdottir | kuo xuan zhang dali | world's shadows wang xingwei | "wang xingwei" song dong | waiting... gao weigang | everything isn't gonna be alright yu ji | i stand alone song yuanyuan | examining object zhan wang | my peonal univee ding yi | specific · abstracted lin tianmiao | the same index acknowledgements
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作者简介

     Karen Smith has been writing about China’s contemporary art scene since the early 1990s. She has lived in China for twenty yea during which time she has contributed to numerous international and domestic publicatio and a wide range of exhibition catalogues, both for individual artists and group exhibitio. Her peonal books include several monographs on China’s leading artists, and the historical compendium Nine Lives: The Birth of Avant-Garde Art in New China, which examines the caree of nine founding fathe of China’s new art movement which began in 1985. In her capacity as curator, Karen Smith regularly works with China's contemporary artists to produce exhibitio in China and abroad.

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