背离策略与模糊的政治立场:卡里尔.丘吉尔70年代政治剧的戏剧符号学研究(英文版)

Chapter 1 Introduction
Chapter 2 A Semiotic Approach to Drama
2．1 Redefinition of the Components of Drama
2．2 Relation and Deviation in Semiotic Approaches
2．3 Caryl Churchill's Deviation Strategies

Chapter 3 Deviation from the Principle of Succession： From a Reformist Perspective to a Marxist Socialist Position
3．1 Deviation Strategy in The Judge's Wife： A Middle-class Reformist View
3．2 Deviation Strategy in Traps： British Socialist Tradition
3．3 Deviation Strategy in The After Dinner Joke： a Marxist socialist concern

Chapter 4 Deviation Strategy in the Construction of Characters： Ambiguity Produced by the Presentation of the Revolutionaries
4．1 Vernon vs Michael： Revolutionaries or Criminals
4．2 Fanon vs Patient A： Subversive Power or Victim of Violence
4．3 The Unspeaking Guerrillas： Subversive Force or Criminal

Chapter 5 Multiple-Role Casting Scheme： Ambiguity in the Staging of Class Conflict
5．1 The Multiple-Role Casting Scheme： Breaking the Fourth Wall
5．2 Doubling of Characters with Similarities： Highlighting the Class Conflicts
5．3 Multiple-Role Casting： Blurring the Identities and Class Status

Chapter 6 Contradiction between Speech and Discursive Position： Ambiguous Political Stance Presented by Discourse Strategy
6．1 Discursive Strategy that Promotes Marxist Political Views
6．2 Discursive Strategy that Reveals Complicity with the Bourgeoisie

Chapter 7 Conclusion
Works Cited
Index