- ISBN:7508503228
- 装帧:简裝本
- 册数:暂无
- 重量:暂无
- 开本:小16开
- 页数:127
- 出版时间:2003-12-01
- 条形码:9787508503226 ; 978-7-5085-0322-6
本书特色
★ 16开平装,五洲传播出版社出版
★ 陈廷祐著,他曾先后任《人民日报》、《北京周报》编辑记者、商务印书馆编审、中国书法家协会会员等
★ 曾获得2004年第六届“全国书籍装帧艺术展览”优秀作品奖
★ 历览经典,贯通古今,细述常识,深入浅出,图文并茂
★ 不仅适合外国读者,也适合英文学习者阅读赏析
内容简介
《中国书法》英文版,铜版纸彩印,印刷清晰,本书曾荣获第六届“全国书籍装帧艺术展览”优秀作品奖。作者陈廷祐从汉字的起源开始,深入浅出地介绍中国书法的源流、形成和发展,从线条、结字、布白等方面叙说书法之美,并着重推介晋、唐、宋、清四个重要历史时期的代表书法家,详解他们的艺术特色和书法技巧。
中国书法是一门古老的汉字的书写艺术,从甲骨文、石鼓文、金文(钟鼎文)演变而为大篆、小篆、隶书,至定型于东汉、魏、晋的草书、楷书、行书等,书法一直散发着艺术的魅力。中国书法是一种很独特的视觉艺术,汉字是中国书法中的重要因素,因为中国书法是在中国文化里产生、发展起来的,而汉字是中国文化的基本要素之一。以汉字为依托,是中国书法区别于其他种类书法的主要标志。
目录
作者:陈廷祐等
出版社:五洲传播出版社
ISBN:9787508503226
出版时间:2003-12
开本:16
页数:127
定价:56 元
内容简介:
Calligraphy is the quintessence of Chinese culture. When the ancient Orientals carved the earliest abstract symbols on the wails of their cave houses, and on animal bones and tortoise shells, their symbolic action marked the beginning of the Chinese written language and civilization. At the same time, it indicated the beginning of the splendor of Chinese calligraphy. Why has Chinese calligraphy been able to survive several thousand years? How could it become a rare art independent of its functions for writing and recording events? What kind of close relations has it developed with the aesthetic standards, value concepts and cultural spirit of the Chinese people? Plow can we enter into this mysterious black-and-white art world?
Chinese Callgraghy introduces the origin, forms and development of Chinese calligraphy, and the various kinds of calligraphic styles and principles in a straightforward way. The author, Mr. Chen Tingyou, has devoted himself to research into the esthetics of calligraphy for many years, and has developed his own theories on the changes and development of Chinese calligraphy. In this book, he focuses on introducing representative calligraphers from the four important historical periods of the J in, Tang, Song and Qing Dynasties - Wang Xizhi, Wang Xianzhi, Chu Suiliang, Yan Zhenqing, Su Shi, Huang Tingjian, Mi Fu and Kang Youwei. He maintains that the reforms these famous calligraphers proposed and carried out contributed greatly to the continuous development of Chinese calligraphy.
This book is published in Chinese, English, Japanese, Russian, French, German and Spanish versions.
目录:
Calligraphy:A Cultural Treasure of China
Unique Chinese Characters
Oracle Bone Inscriptions and Inscriptions on Ancient Bronze Objects
Official Script and Later Scripts
Four Treasures of the Study
Beauty of Strokes
Beauty of Composition
Beauty of the Whole Work
Reflection of Excellent Skills Beyond the Work
Conveying the Emotions of the Author
Expressing Knowledge of the Author
Feelings,Dionysus and Cursive Style
Calligraphy and the Traditional Chinese Cultural Mindset
Father and Son:Leaders of the Times
Two Masters of the Tang DynastyCalligraphy:A Cultural Treasure of China
Unique Chinese Characters
Oracle Bone Inscriptions and Inscriptions on Ancient Bronze Objects
Official Script and Later Scripts
Four Treasures of the Study
Beauty of Strokes
Beauty of Composition
Beauty of the Whole Work
Reflection of Excellent Skills Beyond the Work
Conveying the Emotions of the Author
Expressing Knowledge of the Author
Feelings,Dionysus and Cursive Style
Calligraphy and the Traditional Chinese Cultural Mindset
Father and Son:Leaders of the Times
Two Masters of the Tang Dynasty
Three Masters Focusing on Temperament and Taste
Contemporary Reforms and Modern Brilliance
Chinese Calligraphy Spreads Worldwide
Appendix 1.The Dynasties Mentioned in This Book
Appendix 2 List of Main Illustrations
节选
作者简介
陈廷祐,1926年生,1949年毕业于在上海的暨南大学外国语文学系。1952年至1974年任《人民中国》、《北京周报》编辑、记者。后任商务印书馆编审。中国书法家协会会员,中华全国美学会会员。著有《书法之美》、《中国书法美学》、《书の美学》(日文,东京书籍株式会社版)、《书法美学新探》、《书法之美的本原与创新》。
陈廷祐,was born in 1926, and graduated in 1948 from Shanghai Jinan University, having majored in foreign literature. From 1952 to 1974, he worked as an editor and reporter of Peoples China and Beijing Review. Later, he worked as an executive editor at the Commercial Press. Chen is a member of the Chinese Calligraphers' Association and a member of the All-China Association of Esthetics.
His works include The Beauty of Calligraphy, The Esthetics of Chinese Calligraphy, The Esthetics of Calligraphy (published in Japanese by the Tokyo Book, A New Study of the Esthetics of Calligraphy, and The Origin and Creation of the Esthetics of Calhgraphy.
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