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  • ISBN:9787559201812
  • 装帧:一般胶版纸
  • 册数:暂无
  • 重量:暂无
  • 开本:30cm
  • 页数:87页
  • 出版时间:2018-12-01
  • 条形码:9787559201812 ; 978-7-5592-0181-2

本书特色

本书由在日本深受好评的水墨风景画家马艳创作。全书将水墨画的基础以24条黄金法则的形式呈现,深入浅出的讲解了植物、山水、动物、人物、建筑等水墨画经典元素的绘画技巧。 全书主要由两部分构成,*部分简要介绍水墨画黄金法则运用的基础,包括用作画前的准备工作、何为水墨画创作、水墨画基础表现技法等一些基本材料和技巧问题的解答。第二部分立足于24条黄金法则,介绍了具体的水墨风景画的画法和作品,主要包括花的画法、山的画法、树木的画法、瀑布的画法、静物的画法、鸟的画法、建筑的画法、猫的画法、人物的画法等,其中以画法解说具体展示了各个主题下细分内容的画法,如花的画法的部分就展示了从枝干到叶片,从花朵到花蕊的详细步骤演示,在法则中总结绘画技巧和应当着重注意的细节,并通过*终的应用作品给读者一个整体观念。

内容简介

水墨画的技法要领有许多, 作者从中精炼出24个*重要的法则, 掌握了这24个法则, 画出来的画才能达到被称为作品的水平。内容包括: 法则的基础 ; 实践与应用 —— 不同题材的画法。

目录

目录: 序 第1章 法则的基础··························7 作画前的准备工作···································8 作画用具·······································8 笔·墨·纸·砚····································8 画具的摆放······································9 磨墨的方法······································9 ●法则1●墨分五色··································9 笔墨的运用方法····································10 执笔的方法······································11 ●法则2●掌握能灵活用笔的执笔方法····················11 调墨的方法······································12 运笔的基础······································14 ●法则3●从“书画同源”中学习·························15 先画画看吧······································16 枯草蜻蜓的画法····································16 ●法则4●用题款为画作收尾······························19 何为水墨画创作····································20 ●法则5●掌握水墨画的基本三要素·······················21 水墨画基础表现技法··································22 红芜菁的画法 ····································22 ●法则6●用笔要有缓急变化······························23 笔头草的画法·····································24 ●法则7●在构图取景上下功夫 ···························25 金鱼的画法······································26 ●法则8●自学也要有计划性······························28 黑天鹅的画法·····································29 ●法则9●有飞白方现水墨意境···························31 ●法则10●画面要有浓淡之分······························31 第2章 实践与应用——不同题材的画法·························33 花的画法·······································34 画法解说Ⅰ 盛放的白蔷薇·······························34 ●法则11●白色花朵的表现技法···························36 画法解说Ⅱ 牡丹···································38 山的画法·······································44 画法解说Ⅲ 北阿尔卑斯山远望·····························44 ●法则12●风景画的构图始于底稿·························45 ●法则13●活用浓墨的表现效果···························46 ●法则14●晕染的技法要点·······························46 树木的画法······································50 ●法则15●特殊技法——留白法···························51 瀑布的画法 ·····································54 ●法则16●活用留白的效果·······························55 静物的画法 ·····································56 画法解说Ⅳ 父亲的赠礼································56 ●法则17●从生活中寻找绘画题材·························57 鸟的画法·······································60 画法解说Ⅴ 飞翔···································60
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作者简介

马艳 1967年出生于北京。毕业于中央美术学院,水墨画、油画、艺术评论专业,学习了油画和中国画。世界少年儿童艺术中心(美国)主办的《21世纪少年儿童艺术展》评审员。2006年起担任马骁水墨画协会所属的“艳墨会”主办人。2008年起多次举办包括《Bappaka狮子舞展》《野田市非物质文化遗产展》《野田的祭典》《龙神》《天地人》《Ballade》《Rouge(红)&Noir(黑)·为墨添彩》《Noir(黑)&Blanc(白)·为墨添彩》等画展。2012 年东京新闻报千叶版《千叶特色》中刊登了马艳特辑(4月23日)。2014年加入日本美术家联盟,成为正式会员。并有多部作品应邀参加公开展览。

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