中国电影史(英)

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2星价￥161.0 定价￥230.0

作者：丁亚平

出版社：外文出版社

本类榜单：艺术

分类：艺术 > 影视艺术

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图文详情

ISBN：9787119129136
装帧：一般胶版纸
册数：暂无
重量：暂无
开本：16开
页数：800
出版时间：2022-10-01
条形码：9787119129136 ; 978-7-119-12913-6

本书特色

★Completed after decades -of study and research， this book by Ding Yaping， a highly influential film historian and humanist in China reconstructed the writing of Chinese cinema history with a new framework and. an insightful perspective， In particular， its wide ranging vision， newly discovered historical materials， and fresh interpretation of original classic films are unique and brilliant， making it a masterpiece of film historiography. ——HU ZHIFENG， SCHOLAR IN FILM STUDIES ★Ding Yaping's lush and meticulous new book is a first-ever compendium of both the history and current state of Chinese cinema. Having been engaged in historical and scholarly research on film and TV works for decades， he has made great efforts in providing a panorama of Chinese cinema from academic and historical perspectives. He has made great contributions to the most dynamic arid vital areas of cinema studies. ——YIN HONG， SCHOLAR IN FILM STUDIES ★Ding Yaping was one of the first graduates In China to earn a PhD in Film Studies. He is an outstanding scholar with unique and significant achievements in the Theory and History of Film and Audiovisual Culture. His voluminous works have been used as the most important references in many universities. ——ZHOU XING， SCHOLAR IN FILM STUDIES ★History of Chinese Cinema serves as both a theoretical basis and an investigation into cinema against the social and cultural backdrop， showcasing Chinese cinema with over a century of history. In this book， the author resurfaces the history of Chinese cinema， triggering a \"conversation\" between readers and Chinese film classics. ——LU HONGSHI， FILM HISTORIAN ★Ding Yaping has been devoting himself to a complete study of Chinese Film history for decades. He combines detailed analysis with an overall grasp of Chinese cinema， conducts careful verification and multiple comparisons， thinks independently and explores boldly， and gives a detailed description of the evolution and paths of Chinese cinema. ——LI SUYUAN， FILM HISTORIAN

内容简介

《影像时代：中国电影简史》是关于百余年中国电影历史及其发展的通论，视野开阔，将中国电影史作为一种系统来进行广泛的辐射透视和观察探究。从电影在中国放映起始至进入互联网时代后的中国电影发展近况，全书将中国电影百余年来的历史通过系统式的标准记录、考究、研判，思路清晰，框架完整。早期电影史的记述，注意呈现出以影人、影片、影业为叙述核心，充分地、尽可能广泛详尽地占有材料。评鉴作品，臧否人物，注重分辨，要而不繁。 History of Chinese Cinema is the first English book published in China on the history of Chinese cinema and its development. The author of this concise and wide-ranging work is one of the most influential film historians in China today. His writings on film history have had a tremendous impact on film historiography in China and abroad. This book is rich and vivid, systematically providing a broad and deep perspective on the history of Chinese cinema over the past 120-plus years. Taking filmmakers and films as its frame of reference, this book clearly sorts out the basic patterns of the development of Chinese cinema and highlights cinema’s role in mainstream discourses in different historical contexts, the gains and losses in the creation of cinematic texts, sentiments and paradigms, as well as the different definitions of the word “cinema” in different historical contexts. By reorganizing and interpreting the development of Chinese cinema and placing it in a larger historical context, the book is an overarching and unbroken narrative history of cinema.

Introduction

Chapter One Early Chinese Cinema 1905-1932
Section One The Dream of Popular Films
Section Two The Start of Narrative： Touching Film Images
Section Three Film Images and Consciousness Abound
Section Four Bright Film Dreams

Chapter Two Nationality， Revolution， and Popularity： The Rise of Chinese Cinema 1932-1937
Section One Perseverance in Filmmaking
Section Two Cinema as Carrier of Social Responsibilities
Section Three Overlapping Marks
Section Four Imaginative Intervention

Chapter Three From "Orphan Island" to the Rear Areas 1937-1945
Section One Impact of the Times
Section Two Personal Experiences and Asian Paranoia
Section Three Cinema and Beyond

Chapter Four Chinese Cinema： From Postwar to Revolution 1945-1949
Section One Dialectics of Film and Conscience
Section Two Pursuing the Shared Spirit of Cinema
Section Three Enhancement of Film Quality
Section Four Alignment and Variation Between Subject and World

Chapter Five A New journey： Torturous Development 1949-1976
Section One Cinema： A Complete Discourse of the New World
Section Two Subject-Object Interpenetration
Section Three A Clear and Well-defined Theme
Section Four Cinema： To Live or to Die
……

Chapter Six Displacement and Narrative 1977-1989
Chapter Seven Art and Market 1990-1999
Chapter Eight Cinema， Politics， and Individuality 2000-2007
Chapter Nine Reproduction and Construction of Chinese Cinema 2007-2010
Chapter Ten Blockbusters and Their Significance 2011-2021

Epilogue
Index

展开全部

作者简介

　　Ding Yaping，a distinguished professor at Beijing Film Academy, professor at Communication University of China, research fellow at Chinese National Academy of Arts, chairman of the Chinese Collegial Association for Visual Art, and vice-chairman of the China Film Critics Association. He is an awardee of the National Special Support Program for High-Level Personnel Recruitment, the winner of Projects of Eminent Cultural Figures awarded by the Publicity Department of the CPC Central Committee, and an Outstanding Expert awarded by the Ministry of Culture and Tourism. He is a winner of the special government allowances of the State Council and a member of the China Film Association Council. His major fields of research include historiophoty, film review, and art theory He has published more than 20 academic monographs, such as Art as Culture, The Art of Chinese Cinema： 1945-1949, The History of Contemporary Chinese Cinema, and General History of Chinese Film. He has obtained and completed three major programs approved by the National Social Science Fund of China as chief expert. He also serves as a member of Editorial Board and editor-in-chief for Film & Television Studies of the Encyclopedia of China （3rd ed.）.

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