包邮为恶棍英雄一辩——马洛欲望戏剧的悲剧人物形象研究

Introduction Chapter One Sophoclean Hero and Aristotle's Theories of Catharsis and Hamartia 1.1 Oedipus the Ideal Tragic Hero 1.2 Antigone the Successor of Oedipus 1.3 Aristotle's Theories of Catharsis and Hamartia Chapter Two Marlowe the Renaissance Man 2.1 Tamburlaine the Conqueror 2.2 Faustus the Inquirer 2.3 Barabas the Redeemer Chapter Three Marlowe the Machiavellian 3.1 The Elizabethan World Picture—Moral Tensions of the Elizabethan Era 3.1.1 The Vast Chain of Being 3.1.2 Villain as Hero 3.1.3 Machiavellian Influence 3.2 Tamburlaine the Great as a Spectacle of Terror 3.3 The Tragic History of Doctor Faustus as a Medieval Morality Play 3.4 The Jew of Malta as a Tale of Insatiable Greed Chapter Four Marlowe's Contribution to Tragic Drama and Theory 4.1 Marlowe's Influence on Shakespeare and beyond 4.2 Limitations of Aristotle's Tragic Theory 4.3 Theory of Tragic Conflict and Theory of Sublimity Conelusion Bibliography