当代美国戏剧的多样性:语言视角

“导师评语”代序
中文摘要
acknowledgements
abstract
introduction
chapter one language and power in the plays of david mamet
　ⅰ.speakin9，manipulatin9，and selling in business—glengarry glenross
　ⅱ.language，power,and understanding in academia——0leanna
chapter two language and self in the plays of marsha norman
　ⅰ.the impossibility of getting out in silence—getting out
　ⅱ.a silent woman getting out一切动t mother
chapter three language and ethnic identity in the plays offrankchin
　ⅰ.the revolt and disillusionment of a linguistic oiphanthechickencoop chinaman
　ⅱ.the predicament of a loudmouthed chinese american sonthe yearofthe dragonl
conclusion
works cited
后记