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- ISBN:9787310047420
- 装帧:一般胶版纸
- 册数:暂无
- 重量:暂无
- 开本:24cm
- 页数:224
- 出版时间:2015-01-01
- 条形码:9787310047420 ; 978-7-310-04742-0
内容简介
本书探讨了三位*重要的永明诗人沈约、王融和谢眺诗歌作品中的声律规则。不同于传统的经验观察, 本书采用量化研究方法, 将永明诗中的声调对立与前永明诗及随机声调分布进行比较, 发现了永明诗人对声调的有意操控。
目录
Chapter 1 Introduction to the Puzzle
1.I Tonal prosody in Tang Regulated Style verses
1.2 The legendary origin and the outstanding issues
1.3 The objectives and the arrangement oflhis book
Chapter 2 Methodology
2.1 Major approaches in the research of versification
2.2 Our approach
Chapter 3 Construction of the Baseline
3.1 A reference point for comparison
3.2 Baselines used in previous studies
3.3 Conslructing a better baseline
Chapter 4 Pair-Wise Contrasts in Yongming Style
4.1 Previous quantitative findings fi-om Yongming poem data
4.2 Our discoveries——tonal rules in the Yongming poems
4.3 Statistical tests
4.4 Summary oflhe test results and conclusion
Chapter 5 Patterns in XXXXPLines
5.1 Tonal patterns
5 2 The patterns found in lines where T5A is ping
5.3 Statistical testing ofthe pattern types found in PL2
5.4 Discussion ofthe tonal paltems found in PL2
5.5 Patterns in XXXXP lines inZL1
Chapter 6 Patterns in XXXXZ Lines
6.1 The frequencies of all possl"ole patterns ofping and ze combinations in XXXXZ lines in the Yongming collections
6.2 The frequencies of all possble patterns ofping and ze combinations in XXXXZ lines in the pre-Yongming collections
6.3 Major pattem types in ZL2 in the Yongming collections
6.4 Discussion ofthe tonal pattems found in ZL2
6.5 Pattem types in XXXXZ lines in ZL1 and PL1
6.6 The relationship between pair-wise contrast rules and patterns
6.7 Summary
Chapter 7 Conclusion
Bibliography
Alpendix
Subject Index
Name Index
1.I Tonal prosody in Tang Regulated Style verses
1.2 The legendary origin and the outstanding issues
1.3 The objectives and the arrangement oflhis book
Chapter 2 Methodology
2.1 Major approaches in the research of versification
2.2 Our approach
Chapter 3 Construction of the Baseline
3.1 A reference point for comparison
3.2 Baselines used in previous studies
3.3 Conslructing a better baseline
Chapter 4 Pair-Wise Contrasts in Yongming Style
4.1 Previous quantitative findings fi-om Yongming poem data
4.2 Our discoveries——tonal rules in the Yongming poems
4.3 Statistical tests
4.4 Summary oflhe test results and conclusion
Chapter 5 Patterns in XXXXPLines
5.1 Tonal patterns
5 2 The patterns found in lines where T5A is ping
5.3 Statistical testing ofthe pattern types found in PL2
5.4 Discussion ofthe tonal paltems found in PL2
5.5 Patterns in XXXXP lines inZL1
Chapter 6 Patterns in XXXXZ Lines
6.1 The frequencies of all possl"ole patterns ofping and ze combinations in XXXXZ lines in the Yongming collections
6.2 The frequencies of all possble patterns ofping and ze combinations in XXXXZ lines in the pre-Yongming collections
6.3 Major pattem types in ZL2 in the Yongming collections
6.4 Discussion ofthe tonal pattems found in ZL2
6.5 Pattem types in XXXXZ lines in ZL1 and PL1
6.6 The relationship between pair-wise contrast rules and patterns
6.7 Summary
Chapter 7 Conclusion
Bibliography
Alpendix
Subject Index
Name Index
展开全部
作者简介
宋晨清,女,北京外国语大学文学土,美国威斯康辛大学麦迪逊校区东亚系硕士、博士。现为美国纽约州立大学宾汉顿分校助理教授,为第十五届“国际中国语言学学会青年学者奖”和“桥本万太郎历史音韵学奖”得主(2006年),研究领域为历史音韵学、音系理论、诗律学等。 张洪明,男,复旦大学中文系学士、硕士,加州大学语言学硕士、博士。分别执教于复旦大学、新加坡国立大学等,现为美国威斯康辛大学麦迪逊校区中文教学部主任,南开大学特聘“陈省身讲席教授”,教育部特聘“长江学者讲座教授”,并担任《国际中国语言学报》执行主编。研究领域为音系理论、韵律和语法的界面关系、历史语言学、诗律学等。
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