- ISBN:9787508537801
- 装帧:一般轻型纸
- 册数:暂无
- 重量:暂无
- 开本:32开
- 页数:134
- 出版时间:2017-09-01
- 条形码:9787508537801 ; 978-7-5085-3780-1
本书特色
本套丛书从人文视角对西藏的历史、宗教、文学、艺术、民俗进行精当展示,独到解读、描绘西藏风土人情和文化风貌,向国内外读者展示西藏魅力。各分册在内容上较多吸收了相关领域*研究成果,注重讲故事,雅俗共赏。
西藏文学源远流长,是西藏独特的历史文化魅力标志性符号。西藏文学与西藏历史、宗教和艺术相互交融,同时也是中国文学的明珠。本书阐述了藏族口传文学、书面文学以及介于两者之间的文类的形成和发展历史,呈现了各种藏文学形式中所蕴涵的藏民族的生活、思想和审美观念,是千百年来中国西藏历史的真实见证。
Having a long history, Tibetan literature is a symbol of unique historical culture and charm of Tibet. The Tibetan literature is in harmony with the Tibetan history, religion and art, and is known as the “pearl” of Chinese literature. The book gives an introduction to oral and written Tibetan literature genres as well as the establishment and development history of other compositions that fall in between these genres. It presents the Tibetan life, thoughts and aesthetic ideas implied by the Tibetan literary forms, serving as a testimony to China’s Tibetan history for thousands of years.
内容简介
西藏文学源远流长,是西藏独特的历史文化魅力标志性符号。西藏文学与西藏历史、宗教和艺术相互交融,同时也是中国文学的明珠。本书阐述了藏族口传文学、书面文学以及介于两者之间的文类的形成和发展历史,呈现了各种藏文学形式中所蕴涵的藏民族的生活、思想和审美观念,是千百年来中国西藏历史的真实见证。
目录
Tibetan Literature in the Age of Oral Tradition
Ⅰ. Natural and Cultural Literature Environment in the Age
of Oral Tradition
Ⅱ. Oral Tradition — the Cornerstone of Oral Literature
Ⅲ. Three Treasures in Tibetan Literature — Sgrung, Ldevu
and Bon
Ⅳ. Philosophical Expression of Tibetan Oral Literature:
Proverbs
Chapter Two
The Agglomeration of Tibetan Oral Tradition: Gesar
Ⅰ. Introduction
Ⅱ. Origins: Social and Cultural Context
Ⅲ. Singers of Fairy Tales
Ⅳ. Text and Its Evolution
Ⅴ. Conservation and Preservation
Chapter Three
Basic Types and Texts of Written Literature (Ⅰ)
Ⅰ. Tibetan as Medium for Written Literature
Ⅱ. The Translation of Buddhist Scriptures as the Beginning
of Written Literature Ⅲ. Buddhist Literature
Ⅳ. Historical Literature
Chapter Four
Basic Types and Texts of Written Literature (Ⅱ)
Ⅰ. Biographical Literature
Ⅱ. Terma Literature
Ⅲ. Poetry
Ⅳ. Novels
Ⅴ. The Collection of Letters
Chapter Five
The Literature Genres between Oral Language
and Written Language
Ⅰ. Religious Song
Ⅱ. Maxim
Ⅲ. Persuasion
Ⅳ. Tibetan Opera
Acknowledgments
作者简介
诺布旺丹,现任中国民族学学会副秘书长、中国宗教学会理事、中国西南民族学会理事。著述有《艺人、文本和语境:文化批评视野下的格萨尔史诗传统》、《藏族神话与史诗》(藏文)、《生命之轮——藏传佛教的活佛转世》等。
Norbu Wangdan, deputy secretary general of the Association of Chinese Ethnology, member of the Council of Chinese Religion Study Association and director of the Council of Southwestern China Association of Ethnology, has published a number of works, including Artists, Text and Context: Tradition of Gesar Epic from Cultural Criticism Perspective, Tibetan Myths and Epics (in Tibetan) and The Wheel of Life: the Reincarnation of Living Buddha in Tibetan Buddhism.
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