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戏曲演进史四:金元明北曲杂剧(下)与明清南杂剧

戏曲演进史四:金元明北曲杂剧(下)与明清南杂剧

1星价 ¥76.7 (7.1折)
2星价¥76.7 定价¥108.0
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  • ISBN:9787522517780
  • 装帧:精装
  • 册数:暂无
  • 重量:暂无
  • 开本:16开
  • 页数:488
  • 出版时间:2023-09-01
  • 条形码:9787522517780 ; 978-7-5225-1778-0

本书特色

《戏曲演进史》是曾教授戏曲学研究的集成式著作,鸿篇巨制,体大思精,是当下中国戏曲史研究的里程碑式成果,具有极为重要的学术价值。 明清两代人的戏曲生活,是孕育明清戏曲使之成就为文学艺术*高境界综合体的“大温床”。有此“温床”和七只强力的“推手”,焉能不使戏曲鼎盛而睥睨群伦?本书特立“明清戏曲背景编”,同时作为明清传奇和南杂剧的发展析论,及其名家名作论述的基础。

内容简介

《戏曲演进史》是曾永义教授以剧种的演进为骨架,参照诸多文献资料与底本,编成的鸿篇巨制,全面阐述了中国戏曲的演进过程,被认为“完善了一代之学的内涵和外延”,是该领域的标志性著作。 本书包括两大部分:“金元明北曲杂剧编”之第十四章至十五章以及“明清南杂剧”。各部分具体内容如下:“金元明北曲杂剧编”第十四章“北曲杂剧之余势:明初宪宗成化以前百二十年作家作品述评”、第十五章“周宪王及其《诚斋杂剧》 ”、第十六章“北曲杂剧的尾声:明中叶至清代名家名作述评”。 “明清南杂剧”部分:“序说”、**章“明清杂剧之著录”、第二章“明清南杂剧演进之态势”、第三章“明中期南杂剧作家作品述评”、第四章“明后期南杂剧作家作品述评”、第五章“清顺康间南杂剧、短剧作家与作品述评”、第六章“清雍乾间南杂剧、短剧述评”、第七章“杨潮观及其《吟风阁杂剧》”、第八章“清嘉道咸杂剧述评”、第九章“清嘉道咸杂剧述评”、附录“清嘉道咸杂剧述评”“清嘉道咸杂剧述评”。

目录

戊 明清南杂剧 序 说··················································································215 **章 明清杂剧之著录 ·························································216 一、“明杂剧体制提要”之统计 ················································ 220 二、“清杂剧体制提要”之统计 ················································ 224 第二章 明清南杂剧演进之态势 ················································226 一、明中期杂剧之“南曲化”与“文士化” ································· 226 二、明后期杂剧“昆山腔水磨调化”蜕变为“南杂剧”与“短剧” ··· 230 三、清代杂剧趋于短剧“辞赋化” ············································· 235 第三章 明中期南杂剧作家作品述评 ··········································240 一、徐渭生平与《四声猿》杂剧述评········································· 240 二、李开先、许潮、汪道昆三位短剧作家述评····························· 261 第四章 明后期南杂剧作家作品述评 ··········································278 引 言 ················································································ 278 一、陈与郊《昭君出塞》《文姬入塞》《义犬记》与徐复祚《一文钱》述评························································································ 278二、沈璟《博笑记》及吴江旗下王骥德《男皇后》、吕天成《齐东绝倒》、沈自徵《渔阳三弄》、叶小纨《鸳鸯梦》述评 ······························ 290 三、叶宪祖《檞园杂剧》十二种述评········································· 315 四、傅一臣《苏门啸》十二种述评············································ 330 五、其他南杂剧诸家 ······························································ 335 第五章 清顺康间南杂剧、短剧作家与作品述评 ···························348 一、吴伟业及其他诸家 ··························································· 348 二、徐石麒及其他诸家 ··························································· 354 三、裘琏及其他诸家 ······························································ 365 附录:无名氏《三幻集》 ························································· 373 第六章 清雍乾间南杂剧、短剧述评 ··········································374 一、蒋士铨 ·········································································· 374
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作者简介

曾永义(1941—2022),台湾台南县人。台湾大学文学博士,“中研院院士”。长年从事戏曲、俗文学、韵文学、民俗艺术的维护发扬与教学研究工作。曾在哈佛大学燕京学社、斯坦福大学、香港大学、北京大学、中国戏曲学院等知名学府客座讲学或访问合作。出版《戏曲学》《戏曲剧种演进史考述》《戏曲演进史》等戏曲研究类学术著作20 余部,创作戏曲剧本22 种。被誉为当代戏曲研究的“中流砥柱”,其《戏曲演进史》被认为“完善了一代之学的内涵和外延”,是该领域的标志性著作。

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