包邮20世纪卷-英国文学选读新编

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作者：陈红

出版社：华中师范大学出版社

本类榜单：文学

分类：文学 > 文学理论

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ISBN：9787562242789
装帧：暂无
册数：暂无
重量：暂无
开本：16开
页数：678页
出版时间：2010-08-01
条形码：9787562242789 ; 978-7-5622-4278-9

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《英国文学选读新编·20世纪卷》：英语文学系列教材

The 20th-Century English LiteratureChapter 1 The Birth of Modernism1. Introduction2. Thomas Hardy（1840——1928）2.1 Presentation topics2.2 Selected reading2.3 Assigned reading3. Joseph Conrad（1857——1924）3.1 Presentation topics3.2 Selected reading3.3 Assigned reading4. D. H. Lawrence（1885——1930）4. 1 Presentation topics4.2 Selected reading4.3 Assigned readingChapter 2 High Modernism1. Introduction2. W. B. Yeats（1865——1939）2.1 Presentation topics2.2 Selected reading2.3 Assigned reading3. Virginia Woolf（1882——1941）3.1 Presentation topics3.2 Selected reading3.3 Assigned reading4. James Joyce（1882——1941）4.1 Presentation topics4.2 Selected reading4.3 Assigned readingChapter 3 The New Drama1. Introduction2. George Bernard Shaw（1856——1950）2. 1 Presentation topics2.2 Selected reading2.3 Assigned reading3. John Galsworthy（1867——1933）3.1 Presentation topics3.2 Selected reading3.3 Assigned readingChapter 4 Postmodernist Fiction1. Introduction2. John Fowles（1926——2005）2.1 Presentation topics2.2 Selected reading2.3 Assigned reading3. Anthony Burgess（1917——1993）3.1 Presentation topics3.2 Selected reading3.3 Assigned readingChapter 5 The Movement and After1. Introduction2. Philip Larkin（1922——1985）2.1 Presentation topics2.2 Selected reading2.3 Assigned reading3. Ted Hughes（1930——1998）3.1 Presentation topics3.2 Selected reading3.3 Assigned reading4. Seamus Heaney（1939—— ）4.1 Presentation topics4.2 Selected reading4.3 Assigned readingChapter 6 The Theatre of the Absurd1. Introduction2. Samuel Beckett（1906——1989）2.1 Presentation topics2.2 Selected reading2.3 Assigned reading3. Harold Pinter（1930——2008）3.1 Presentation topics3.2 Selected reading3.3 Assigned reading4. Tom Stoppard（1937—— ）4. 1 Presentation topics4.2 Selected reading4.3 Assigned readingChapter 7 Women's Literature1. Introduction2. Jean Rhys（1890——979）2.1 Presentation topics2.2 Selected reading2.3 Assigned reading3. Edith Sitwell（1887——1964）3.1 Presentation topics3.2 Selected reading3.3 Assigned reading4. Doris Lessing（1919—— ）4. 1 Presentation topics4.2 Selected reading4.3 Assigned readingChapter 8 Ethnic Literature1. Introduction2. Kazuo Ishiguro（1954—— ）2.1 Presentation Topics2.2 Selected Reading2.3 Assigned Reading3. V. S. Naipaul（1932—— ）3.1 Presentation Topics3.2 Selected Reading3.3 Assigned Reading

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《英国文学选读新编·20世纪卷》是一部在新的社会文化历史语境下编写的供英语专业高年级本科生或研究生使用的教材，也可作为文学研究者的参考书。当历史进入国家十二五规划时期，我国社会和高校对文学以及高校英语专业文学教育的观念发生了很大变化，对英语专业文学课程的教学时数、内容、手段和方法以及教材的编写与使用等都提出了新的要求。随着时代的发展和文学观念的更新，国内外对于20世纪英国文学的认识也发生了变化。

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the immediate texture of experience is crucial to "The Fallow Deer," in thesense that the whole poem hinges on the frisson with which Hardy makes us feelthe presence of a living body and become aware of ourselves as watchers of a scenethat seems, by its logic, to be dissolving before our eyes. That shifting ofimmediacy and emotion from the experience portrayed to the idea of a situation, bywhich Hardy brings to our apprehension of an abstract structure an almost physicalshiver of recognition, is the effect I want to isolate and suggest is characteristic ofhis work. By entering the binary structure from such a strange point ofidentification, Hardy generates a perspective that stands outside that binarystructure, positioned to find a lyric poignancy not in the experience of the deer（here） nor in that of the house-dwellers, but in the binary structure itself and theimage it gives of limitation and loss.Dialogue, along with memory, is another of Hardy's favourite vehicles fordramatising a split consciousness in his poems. The dialogue for Hardy figures theimpossible logic that fractures human existence, its brokenness reminding us thatexperience itself is a broken thing. He uses dialogue not as a form of social realism（as we might expect from a poet who has also been a novelist）, nor as a means ofexploring the possibilities of communication, nor as a token of the richness andchallenge of community, but for its dramatic insistence on the fact that anyperspective must be partial. It is an image of imperfection, as if all experience couldbe seen as a tragic falling off from some imagined world where everything could beknown at once, and for all. The dialogue in "The Wind's Prophecy" represents asplit between self and self——between what the self is now and what the self willlater become——while also securing in the figure of the wind a wider, non-personalperspective that has the capacity to take in everything at once.

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