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汉代前的中国玻璃工艺
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汉代前的中国玻璃工艺

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2023-07-12 12:01:01
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  • ISBN:9787562264651
  • 装帧:简裝本
  • 册数:暂无
  • 重量:暂无
  • 开本:16开
  • 页数:385
  • 出版时间:2014-11-01
  • 条形码:9787562264651 ; 978-7-5622-6465-1

内容简介

  汉代前,随着域外蜻蜓眼式玻璃珠的传入,楚人于战国中期掌握了玻璃制造技术。随后楚地出现了玻璃璧、环与玻璃剑饰等具有典型中国特征的玻璃工艺品。在玻璃品的制作上,楚人借鉴铜器的铸造方法形成了独具特色的中国玻璃品制造方法。随着玻璃品的普及,玻璃品迅速融入楚文化,本为外来物的蜻蜓眼式玻璃珠*终本土化,成为楚文化代表性器物之一。随着秦并六国,楚国的消亡,楚文化作为一个整体的区域文化消失,蜻蜓眼式玻璃珠随之淡出中国历史舞台。

目录

Chapter 1 Introduction
1.1 The History of Glass
1.2 The Study of Glass Outside China
1.3 The Research Background of Early Glass Studies in China
1.4 Previous Studies on Chinese Glass
1.5 The Goals of This Research

Chapter 2 The Distribution of Early Glass Eye Beads Outside China
2.1 Glass Eye Beads in Egypt
2.2 Glass Eye Beads in Greece
2.3 Glass Eye Beads in West Asia
2.4 Glass Eye Beads in Iran
2.5 Glass Eye Beads on the Eurasian Steppe
2.6 Glass Eye Beads in India

Chapter 3 Early Eye Beads in China
3.1 Glass Eye Beads in China
3.2 Glass Eye Tubes in China
3.3 Discoveries of Faience Eye Tubes and Beads in China

Chapter 4 Other Characteristic Glass Artifacts of China
4.1 Glass Bi (璧) Disc (Table3:13, Map 4-01)
4.2 GlassHuan (环) (Table3:14, Map4-02)
4.3 Glass Furniture for Sword
4.4 Other Glass Products (Table 3:14)
4.5 Conclusion

Chapter 5 Comparison of Early Chinese and Non-Chinese Glass
5.1 Typological Comparison
5.2 Comparison of Chemical Compositions
5.3 Conclusion

Chapter 6 The Development of Productive Techniques and Uses of Glass in China
6.1 The Historical Background of Glass in Early China
6.2 Contacts Between Chinese and Non-Chinese Cultures as Reflected by the Occurrence of Glass
6.3 The Development of Glass in China
6.4 Uses of Glass Products

Chapter 7 Glass-making in China
7.1 Manufacturing Techniques for Glass Eye Beads
7.2 Manufacturing Techniques for Other Glass Artifacts
7.3 The Origin of the Art of Glass-Making in China

Chapter 8 Glass Finds and Chu Culture
8.1 Chu History
8.2 Chu Culture
8.3 Chu Business
8.4 Glass Development and Chu Culture
8.5 The Disappearance of Glass Artifacts

Chapter 9 Conclusion
Tables
Figures
Captions
Maps
Bibliography
展开全部

作者简介

  李会,四川大学考古专业学士、硕士,德国蒂宾根大学(TuebingenUniverslty)史前史与考古方向博士,现任教于华中师范大学美术学院,从事中国工艺美术史与民间美术方向的研宄。

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