包邮他们的视点:台湾女性导演研究(1957-2000)

导 论····························································································· 1 **章 20 世纪50 年代闽南语电影时代的**位女性导演 ······················ 12 **节 从家庭走向社会的台湾女性 ················································ 14 第二节 陈文敏在筚路蓝缕的闽南语片时代 ······································· 18 第三节 为女性书写悲情故事与民间传奇 ·········································· 38 第四节 初涉性别议题的女性书写 ··················································· 59 第二章 20 世纪60 年代至80 年代的台湾女性导演 ································· 64 **节 主流电影中潮流中的汪滢导演 ············································· 66 第二节 爱情文艺片早期的女导演崔小萍 ·········································· 87 第三节 琼瑶电影后期的御用导演刘立立 ·········································106 第四节 电影类型极致多元的杨家云导演 ·········································128 第五节 喜剧式的家庭伦理片导演苏月禾 ·········································147 第六节 小结：1960 至70 年代女导演的创作环境概述 ························156 第三章 20 世纪80 年代至90 年代的台湾女性导演 ································ 162 **节 跨地域文化创作的张艾嘉导演 ············································164 第二节 以天下为己任为艺术使命的王小棣导演 ································191 第三节 从感性书写到理性思辨的黄玉珊导演 ···································215 第四节 跨区域制片的导演——刘怡明 ············································234 第五节 小结：台湾新电影思潮影响下的女导演创作 ··························245 总 论·························································································· 266 参考文献资料················································································· 274 附录一：台湾历史学家及女导演访谈录 ··············································· 284 附录二：参考影片目录····································································· 319 后 记·························································································· 334