包邮批判与反思:日本殖民统治时期台湾地区电影的历史考察

绪 论·····························································································1 **章 背景与视角：殖民关系中的台湾电影 ······································· 11 **节 1895—1945 年日本及其在东亚的殖民地电影的整体概况 ··········· 11 第二节 台湾电影史研究中的“殖民”视角 ······································· 27 第三节 日本殖民统治时期的日本和台湾辩士 ···································· 36 第二章 殖民电影的代理人：高松丰次郎与日本殖民统治时期台湾电影 ······ 49 **节 台湾电影的启蒙人——高松丰次郎 ······································· 49 第二节 日本殖民统治时期高松丰次郎在台湾的电影事业 ····················· 53 第三节 殖民统治下台湾电影的发展 ················································ 63 第三章 殖民记忆：日本殖民统治时期台湾影片分析 ······························ 67 **节 “皇民化”时期台湾纪录片的帝国记忆与殖民宣传 ···················· 67 ——以《南进台湾》为例 ···························································· 67 第二节 日本殖民统治时期台湾电影的社会教育 ································· 79 ——以《台湾勤行报国青年队》为例 ············································· 79 第三节 《幸福的农民》——殖民视角下的台湾农民生活图景 ················· 87 第四节 《国民道场》中的殖民训练 ················································· 110 第五节 《沙鸯之钟》——日本“国策”电影 ····································· 117 第四章 寻找与突围：日本殖民统治时期台湾电影人与大陆电影界的交流 ··133 **节 中日电影在抗战时期的交流 ···············································133 第二节 日本殖民时期台湾电影人的生存空间 ··································141 第三节 殖民时期与大陆电影界交流的台湾电影人——刘呐鸥 ··············143 结 语··························································································157 附 录·····························································································161 附录一：台湾各地比较有名的辩士 ··················································161 附录二：高松丰次郎台湾大事记 ····················································162 附录三：日本殖民统治时期在台湾制作和播放的影片 ··························165 附录四：何非光电影作品年表 ························································169 附录五：和刘呐鸥相关的信息 ························································171 附录六：和本书相关的殖民文化理论论述摘编 ···································182 参考文献·······················································································203 后 记··························································································221