文化唯物主义

1星价 ¥41.5 (8.0折)

2星价￥41.5 定价￥51.9

作者：赵国新

出版社：外语教学与研究出版社

本类榜单：外语

分类：外语 > 英语学术著作

买过本商品的人还买了

暂无评论

图文详情

ISBN：9787521313727
装帧：平装-胶订
册数：暂无
重量：暂无
开本：16开
页数：193
出版时间：2018-04-16
条形码：9787521313727 ; 978-7-5213-1372-7

本书特色

《文化唯物主义》个各章节的内容安排如下：“思想渊源与历史”这一部分主要交代了文化唯物主义批评得以产生的社会历史背景，着重探讨了它和细绎派批评、历史主义批评以及西方马克思主义理论之间的复杂关系，并且比较分析了它和美国的新历史主义批评之间的异同；“文化唯物主义批评（一）：艾伦·辛菲尔德”和“文化唯物主义批评（二）：乔纳森·多利莫尔”这两部分分别阐述了英国文化唯物主义的两位*有代表性的人物在文艺复兴文学、莎士比亚研究领域内的批评建树，并以他们的实际研究为案例，展示了他们具体的批评手法；“《芭巴拉少校》的文化唯物主义分析”这一部分，以萧伯纳的名剧为研究对象，运用唯物主义常用的批评策略，发掘出剧中的颠覆性因素，揭示出文本的内在矛盾，并结合具体的历史语境，解释其成因；“新历史主义视角下的《艰难时世》”这一部分，探讨了这部名著与功利主义的复杂关系，反驳了一些研究者对它的误读，发掘出文本中不易为人觉察的矛盾，揭示出这些颠覆性因素*终如何遭到遏制。

内容简介

文化唯物主义兴起于二十世纪八十年代，极盛于九十年代，在时下的文学研究中仍有巨大影响。它在文艺复兴文学和文化研究领域建树颇丰，特别是在莎士比亚研究领域，已占据重要地位。文化唯物主义是对三种文学批评方法——细绎派批评、传统的马克思主义批评以及历史主义批评的有限继承和部分否定，与此同时，它还吸收了雷蒙•威廉斯的文化理论、路易•阿尔都塞的意识形态理论以及安东尼奥•葛兰西的文化霸权理论等思想。
本书首先阐述了文化唯物主义产生的社会历史背景，发掘其理论渊源，比较了它与新历史主义之间的异同；接着探讨了文化唯物主义的两位代表人物——艾伦•辛菲尔德和乔纳森•多利莫尔——的批评建树，并展示其具体的批评手法；*后分别利用文化唯物主义和新历史主义的批评策略对萧伯纳的《芭巴拉少校》和狄更斯的《艰难时世》进行剖析，以例详说其应用方式。

总序
················································································· 张剑 viii
前言
················································································· 赵国新 xvii
**章思想渊源与历史 1
1.1 英国新左派
···········································································1
1.1.1 新左派的思想建树
····················································7
1.1.2 老一代新左派
·························································12
1.1.3 新一代新左派
·························································15
1.1.4 新左派的衰落
·························································22
1.2 从历史主义到西方马克思主
义·············································25
1.2.1 蒂利亚德的历史主义批评
·······································27
1.2.2 细绎派的道德形式主义
···········································30
1.2.3 威廉斯
····································································34
1.2.4 阿尔都塞
································································38
1.2.5 葛兰西
····································································40
1.2.6 汉尼曼与布莱希特
··················································41
1.3 新历史主义与文化唯物主义
················································49
1.3.1 格林布拉特
·····························································57
1.3.2 文化唯物主义与新历史主义之异同 ·························61
第二章文化唯物主义批评（一）：艾伦·辛菲尔德 64
2.1 文艺复兴时期的文学及莎士比亚研究
··································68
2.2 文化唯物主义研究的转向
····················································71
2.3 批评案例（一）
····································································80
2.4 批评案例（二）
····································································84
第三章文化唯物主义批评（二）：乔纳森·多利莫尔 92
3.1 文艺复兴时期的戏剧与同性恋研究
·····································95
3.2 批评案例（三）
··································································103
第四章《芭巴拉少校》的文化唯物主义分析 114
4.1 主题与内在矛盾
································································120
4.2 安德谢夫的原型与形象
·····················································124
4.3 英国社会各阶级分析
·························································130
4.3.1 英国贵族阶级的没落
············································132
4.3.2 不合格的接班人
···················································137
4.4 英国工业资本主义衰落的文化起因说
································140
第五章新历史主义视角下的《艰难时世》 145
5.1 工业小说中的异类
····························································147
5.2 边沁式功利主义与《艰难时世》
·········································150
5.2.1 先期批判
······························································155
5.2.2 功利主义在小说中的体现
·····································158
5.3 约翰·斯图亚特·穆勒与功利主义
····································166
5.4 文本内部的三对矛盾
·························································170
结语 180
参考文献
.........................................................................................184
推荐文献
.........................................................................................191
索引
...............................................................................................192

展开全部